
Summary
- The Narrative: Jonathan Anderson bypasses the usual Hallmark clichés for his Valentine’s Day edit at Dior, rooting the collection in Spring-Summer 2026 aesthetics and specific archival references rather than generic romance.
- The Archive: The design team pulled heavily from history, specifically an 18th-century emblem for the Revolution Flowers print and the 1956 Pastorale dress to inform the Doves Roses sketches.
- The Goods: The capsule spans the Book Tote, Saddle, and Lady Dior bags, updating them with plumetis embroidery, matching charms, and a palette restricted to pinks, blues, and white.
Jonathan Anderson avoids the obvious route for Valentine’s Day. His latest edit for Dior aligns strictly with the Spring-Summer 2026 ready-to-wear atmosphere, sidestepping the usual saccharine tropes in favor of a look grounded in house heritage. He treats the occasion as an opportunity to dig into the archives, selecting motifs that act less like merchandise and more like historical footnotes.
Those footnotes manifest physically as the Revolution Flowers print, a graphic pattern owing its existence to an 18th-century emblem. This floral layout dominates the surface of the Dior Book Tote and the Saddle bag, paying debts to French textile art with a controlled palette of blues and pinks.


That pink spectrum deepens into a rosy flush on the Medallion motif, which now marks the Book Tote and defines the bow detail on the Saddle. Nearby, silk squares pick up the thread with a Floral Heart design, organizing the visuals into something resembling a structured garden.
The botanical theme sharpens further in the Doves Roses sketches, a direct homage to the Pastorale dress from 1956. The studio interpreted this reference by shaping plumetis into birds and blooms, embroidering the texture onto a white Lady Dior and a light blue Lady D-Joy.



These bags gain a final tactile layer through matching “D.I.O.R.” charms that hang from the handles. The same rural detailing extends to the Saltwind sneakers and the Tribales jewelry, finishing a lineup that insists on craftsmanship over sentimentality.