Alessandro Michele claims that fashion shouldn’t stage strength, but rather the responsibility of shared vulnerability.
Alessandro Michele is tired of pretending that we have our feet on the ground. For the new Valentino “FIREFLIES” campaign, the creative director argues that falling is not an accident but an “original condition” that defines us. He posits that the state of balance we fight for is merely a “fragile interval,” a temporary pause before the world stops holding us in the forms we once knew.
Knowing when to let go is the central tension of the campaign’s photography. The shots linger on the precise instant before a fall, trapping the models in a “suspended time” without direction. Michele stages this near-collapse inside a historic building, using the “intact” elegance of the architecture to highlight the fact that the people inside are on the verge of fracturing.
Fracturing is where the video takes over, doing the dirty work that the photos refuse to do. The film moves the gaze beyond the threshold of anticipation and forces the viewer to experience the fall itself, revealing an “ontology of vulnerability” that binds everyone to a shared destiny. Michele insists this isn’t about aestheticizing fragility, but admitting that “no body stands on its own.”
Own your dependency, he suggests, because fighting gravity with “individual will alone” is impossible. The notes describe a need for the “grace, the care, and the concern” of others to catch us when we stumble. This shifts the definition of caring: it does not mean preventing the fall, but making the crash “inhabitable” by sharing the weight.
Weight-sharing is the new status symbol. Michele writes that fashion should not “stage strength,” but rather display the responsibility of the burdens we carry for one another. The most radical form of elegance, he concludes, lies in the “willingness to become support,” exposing the myth of self-sufficiency as a total “cultural fiction.”
