Kate Moss trades the runway for the driver’s seat, steering Saint Laurent’s Fall 2025 pre‑collection through Los Angeles with Chloë Sevigny and Frankie Rayder.
Kate Moss seldom stays in one lane. For Saint Laurent’s Fall 2025 pre‑collection, creative director Anthony Vaccarello handed her the keys, literally, and asked her to “make the pre‑collection her own.” Moss answered by driving a convertible down Sunset Boulevard in a fur coat and black sunglasses, then slipping into a poolside tableau with longtime friend Chloë Sevigny and fellow ’90s icon Frankie Rayder. Shot by Mert Alas, the unscripted images capture “heat and silence,” as the press notes put it, and frame Moss not as a model but as the story’s author.
In place of a studio set, Los Angeles itself provides the backdrop. The flash of chrome, the glare of midday sun, and the hush of a hillside pool combine. When Moss and Sevigny recline in black swimwear and oversized gold jewelry, the stills hint at the pair’s cult‑movie potential, a wink in the press release that nods to Bound without staging a remake.
Clothes remain the anchor. Silk skirts and leather blouses skim the body with the ease of staples Moss might grab from her own closet. Accessories stay direct: classic sunglasses and gleaming gold jewelry that catches the chlorinated blue. It is fashion reduced to essentials, then lifted by character.
The campaign’s closing sentiment comes straight from the release: “A pool. A drive. A house. A party. Real moments — nothing staged. Fragments of friendship, freedom — and Kate, always at the center.” In other words, Saint Laurent has given Moss, Sevigny, and Rayder scope to write their own script, resulting in a portrait of friendship and a reminder that style keeps its own timetable.
